Sanjusangendo Temple
Marvel at 1,001 golden Kannon statues in Japan's longest wooden hall
Sanjusangendo, formally known as Rengeo-in Temple, was originally founded in 1164 by Emperor Go-Shirakawa. The temple's name means '33 intervals,' referring to the number of bays between the building's pillars. The number 33 holds special Buddhist significance, representing the 33 manifestations of Kannon, the Bodhisattva of Compassion. The original building was destroyed by fire in 1249 but was faithfully reconstructed in 1266, and this 13th-century structure survives today as Japan's longest wooden building at 120 meters.
The temple houses an extraordinary collection of Buddhist statuary unprecedented in scale and artistic quality. The central image is a seated thousand-armed Kannon carved by master sculptor Tankei in 1254. Surrounding this central figure are 1,000 life-size standing statues of thousand-armed Kannon arranged in ten rows, each statue individually carved and gilded. Flanking the Kannon statues are 28 guardian deities representing protectors of Buddhism. This massive assembly creates an overwhelming visual and spiritual experience, with the seemingly infinite rows of golden figures stretching the length of the hall.
The temple has maintained its religious and cultural significance for over 750 years. It became famous for annual archery competitions held in the hall's veranda during the Edo period, with archers attempting to shoot arrows the full 120-meter length. This tradition continues today with ceremonial archery tournaments held each January. The statues have been designated National Treasures, and the building itself is an Important Cultural Property, representing the pinnacle of Kamakura period Buddhist architecture and sculpture.
Key Highlights
- 1,001 life-size golden statues of thousand-armed Kannon
- Japan's longest wooden building at 120 meters (13th century)
- Central Kannon statue carved by master sculptor Tankei (1254)
- 28 guardian deity statues flanking the Kannon figures (National Treasures)
- Each of 1,000 standing Kannon statues individually carved with unique expressions
- Annual archery tournament (Toshiya) held every January
- Remarkably well-preserved 13th-century architecture
- Photography prohibited inside - experience must be absorbed directly
Access Information
Location
657 Sanjusangendo Mawari-cho, Higashiyama-ku, Kyoto 605-0941
Nearest Stations
- • Shichijo Station (Keihan Railway) - 7-minute walk to temple
- • Kyoto Station (JR, Kintetsu, Subway) - 15-minute bus ride or 20-minute walk
Opening Hours
8:00 AM - 5:00 PM (April-October), 9:00 AM - 4:00 PM (November-March). Open daily year-round. Last admission 30 minutes before closing. Temple visits typically take 45-60 minutes.
Admission Fee
Adults ¥600, Junior/Senior high students ¥400, Elementary students ¥300, Under elementary age free. Combined tickets with nearby museums available for slight savings.
How to Get There
From Kyoto Station
Take City Bus #206 or #208 to Sanjusangendo-mae bus stop (10 minutes, ¥230), then walk 1 minute. Or walk east 20 minutes from station through residential areas.
15-20 minutes
From Gion/Downtown Kyoto
Take Keihan Railway to Shichijo Station (5 minutes), then walk east 7 minutes. Or take bus #206 or #207 from Gion area
15 minutes
From Osaka
Take Keihan Railway to Shichijo Station (40 minutes direct from Yodoyabashi), then walk 7 minutes
50 minutes
Tips & Visiting Guide
Make the most of your visit with these helpful tips and guidelines.
Photography Restrictions
Photography strictly prohibited inside the hall to protect statues and maintain contemplative atmosphere. Exterior photos allowed in garden areas. Purchase postcards at gift shop for images of the interior. Focus on experiencing the overwhelming presence directly rather than through camera.
Best Visiting Times
Early morning (8:00-9:00 AM) offers quietest experience with fewer tour groups. Weekday mornings significantly less crowded than afternoons and weekends. The temple is manageable even during peak tourist season due to its large hall. Allow 45-60 minutes for visit.
Understanding the Statues
Visitors often find familiar faces among the 1,000 statues - Buddhist tradition suggests finding one resembling someone you know. Each statue is unique with subtle expression differences. The thousand arms symbolize Kannon's ability to help countless beings. Look carefully at details despite overwhelming scale.
Archery Tournament
The Toshiya archery tournament occurs mid-January with participants attempting to shoot arrows the 120-meter length of the hall. The event attracts archers nationwide and spectators. If visiting in January, check exact dates. The veranda shows wear marks from centuries of archery practice.
Walking Through the Hall
Enter from the side and walk the full length to appreciate the statues' overwhelming number and presence. Take time to observe individual statues - each is a masterwork. The central Tankei-carved Kannon is particularly refined. Guardian deities at front are dynamically posed and worth close inspection.
Accessibility & Comfort
The hall is flat and wheelchair accessible. Remove shoes at entrance (slippers provided). Winter months can be cold inside the unheated hall - dress warmly November-March. Summer can be humid. Seating areas available for rest. Quiet contemplation encouraged.
Combining with Nearby Sites
Located near Kyoto National Museum, Chishaku-in Temple, and within walking distance of Kiyomizu-dera. Can combine with Fushimi Inari Shrine (15 minutes by train/bus). Popular stop on eastern Kyoto temple circuit. Allow 3-4 hours for multiple sites in area.
Gift Shop & Souvenirs
Small shop sells prayer beads, postcards showing interior statues, and Buddhist-themed items. Kannon statue replicas available. Prices reasonable. This is the only way to obtain images of the interior statues. Goshuin (temple stamp) available for collectors.
FAQ
How long should I spend at Sanjusangendo?
Most visitors spend 30-60 minutes viewing the hall interior and grounds. The sheer number of statues encourages contemplation, and some spend longer. Photography is not permitted inside the main hall, so the experience is focused on observation rather than photo-taking.
What exactly are the 1,001 statues?
The temple houses 1,001 life-sized standing statues of Kannon, the Buddhist deity of mercy. A central seated Kannon is surrounded by 1,000 standing figures in rows. Each statue has unique facial features. They were carved over centuries by multiple sculptors, creating an overwhelming and spiritual sight.
Why is photography prohibited inside?
Photography is strictly forbidden inside the main hall to protect the ancient wooden statues from flash damage and maintain the sacred atmosphere. Photography is permitted in the gardens and exterior areas. This policy is firmly enforced, so respect it and focus on the visual experience.
Can I find my birthday twin among the statues?
A popular legend suggests that everyone can find a statue resembling someone they know, or even themselves, among the 1,001 figures. While this is folklore rather than intention, the unique faces of each statue do make it compelling to study them individually.
What is the archery ceremony held here?
The Toshiya archery contest, held annually in mid-January, involves archers shooting arrows the 120-meter length of the hall's veranda. This tradition dates back centuries. Young people coming of age participate, dressed in traditional hakama. The event draws large crowds and requires special viewing tickets.
Is there a dress code for visiting?
There's no strict dress code, but respectful attire is appropriate for a religious site. Shoulders and knees should be covered. You'll remove shoes to enter the main hall, so wear easily removable footwear. Slippers are provided inside. Avoid revealing clothing.
Are there English explanations available?
English pamphlets are available at the entrance providing historical context and explaining the main hall's significance. Signage has some English, though detailed descriptions are primarily in Japanese. Audio guides may be available for rent. The visual impact transcends language barriers.
How crowded does the temple get?
Weekday mornings are quietest. Weekends and peak tourist seasons (spring, autumn) bring more crowds, though the spacious hall accommodates many visitors. Tour groups can cause temporary congestion. Arriving right at opening or late afternoon helps avoid peak crowds.
Can I combine this with other nearby attractions?
Yes, Sanjusangendo is near the Kyoto National Museum and within walking distance of Kiyomizu-dera Temple (20 minutes). The Gion district is also nearby. A walk through Higashiyama district combining temples, museums, and traditional streets makes an excellent half or full-day itinerary.
What makes this temple nationally important?
Sanjusangendo is a National Treasure of Japan. The hall itself is one of the longest wooden structures in Japan. The 1,001 Kannon statues, 28 guardian deity statues, and Wind and Thunder god statues represent masterpieces of Kamakura period sculpture. It's an irreplaceable cultural treasure.
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